From Queens, Letty grew up in a conservative Jewish family. At age 20 in 1960, she became the director of publicity for the publishing company Bernard Geis Associates—later rising to vice president. There she was instrumental in making books like ‘Valley of the Dolls’ and ‘Sex and the Single Girl’ into mega-bestsellers. In 1970, she wrote her first book, ‘How to Make it in a Man’s World’; after its success, she left her job to focus on writing and raising her family. She was a founding member of the National Women's Political Caucus, through which she met Gloria Steinem; in 1972, they founded Ms. Magazine together. Letty was an editorial consultant for the 1972 TV special ‘Free to Be... You and Me’ for which she earned an Emmy. Throughout the 70s, 80s, 90s and up to today, she has continued writing books—centering on subjects around the family, raising children, being a working woman, aging, and Judaism. Her latest book, ‘Shanda: A Memoir of Shame and Secrecy,’ was released in 2022; in it she unfurls generations of secrets in her family and discusses how the Jewish teaching of “Shanda,” or shame, perpetuated constant paranoia and secrecy. Letty and I chat about everything—her childhood, the abortions she had in college in the 1950s, how she got her start in publishing, her almost 60-year marriage to labor lawyer Bert Pogrebin, what ‘Mad Men’ got right about the 1960s, discovering feminism, Ms. Magazine, balancing career and family life, being a working writer, and rediscovering Judaism.

Fashion and cultural historian Laura McLaws Helms speaks with art director and author Steven Heller. An incredibly creative and prolific individual, Steven is the author, co-author or editor of over 200 books on graphic design, illustration and political art. I interviewed him in the fall, around the publication of “Growing Up Underground: A Memoir of Counterculture New York,” which details his teens and early 20s working in the counterculture press. At 17 he became the art director at the counterculture weekly, the New York Free Press. He then went on to work for Screw, the East Village Other, Rock, Gay, Mobster Times, and Evergreen Review, before being poached at age 24 by the New York Times to be the art director of the Op-ed page. Steve was an art director at The New York Times for 33 years; 3 years on the Op-ed page, before moving to the Book Review. He became a senior art director in 1980. Steven is the co-founder and co-chair of the MFA Design Department and co-founder of the MFA Design Criticism, MPS Branding, MFA Interaction Design, and MFA Products of Design programs at SVA. Heller is also the recipient of the Smithsonian Institution National Design Award for "Design Mind," the AIGA Medal for Lifetime Achievement and other honors.

Joan Quinn has been a major force in the Los Angeles art scene for 70 years, as a collector, promoter, advocate, and friend to generations of artists. While amassing a large “accumulation” of art, her passion and collecting zeal also made her a muse for artists—what started as some artist friends painting and sculpting her portrait in the seventies, has now grown into a collection of over 300 portraits of Joan. In the late 1970s, Andy Warhol asked her to become West Coast editor of Interview magazine; a role she later held with several other publications. From the mid-1980s until 2020, Joan hosted public access TV shows where she interviewed artists and creatives.

Known for his saturated, highly glamorous covers for Interview magazine, Richard Bernstein was born in New York in 1939; he passed away from AIDs-related complications in 2002. Richard created the cover for every Interview magazine up until Warhol's death in 1987—a prodigious volume of work that serves as an archive of 1970s and 1980s celebrity culture. In the late 1970s, Richard Bernstein became friends with Grace Jones, helping to mold her visual identity as she first emerged as a singer. The duo continued to work together for many years. Richard was also an early innovator in digital art.

Rory is Richard's nephew and the one entrusted with maintaining and carrying forward his legacy. In our conversation, he provides a short biography of Richard, his artistic career and his relationship with Andy Warhol. We then speak about what is like to run an artist’s estate, what it entails, and the process of archiving. Rory was instrumental in the creation of a coffee table book on Richard, Starmaker, which was published by Rizzoli in 2018; he has also loaned Richard’s work to numerous museum exhibitions and collaborated with a number of fashion and interiors brands.